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Djevoja\u010dki let Eliza (2:42)\n2. Po\u010dev\u0161i ispo\u010detka (4:45)\n3. Uvod u zoru (3,10)\n4. Nikada ne zavr\u0161ava samo\u0107a (2,36)\n5. Dje\u010dak prirode (9:35)\n6. Evan\u0111eoska pjesma (3,31)\n7. Calico (3:03)\n8. Ulyssees (12:32)\n9. Idi na po\u010detnu ku\u0107u (2:37)\n\nUkupno vrijeme: 44:31\n\nLine-up / Glazbenici.......- Eden Abba /\nkontrabas - Brian Cresswell /\nsaksofon, flauta - Gordon Giltrap / gitara,\nvokal - Ian Hoyle / bubnjevi\n- Don Partridge / gitara, vokal, vibrafon\n\nObjavljuje informacije\nLP EMI Columbia SCX 6405 (UK)\nLP Capitol (SAD).......Njihov debitantski album \u010dine uglavnom kra\u0107e folk-rock pjesme (inferiorne u 3:30), osim tri zapa\u017eene pjesme, uklju\u010duju\u0107i vrhunski epski album best Nature Boy (sa svojim dugim vibrafonskim solo) i 12-min+ najizazovniji Ulysses (sa svojim neobi\u010dnim izrazima i pognutim basom, divljom flautom i \u010dudnim uzorcima bubnjeva) i u manjoj mjeri gotovo 5-min Po\u010dev\u0161i od svega, Ponovo. Za neke od te\u017eih dijelova gitare zaslu\u017ean je Gordon Giltrap i nema sumnje da Accolade vjerojatno nije bio dovoljno prostora da izbu\u0161i vi\u0161e od jednog albuma.......The first album of this English folk quintet that easily adapted to the symphonic arrangements in their music, as well as gave us great psychedelic moments. While the music rested mostly on two guitarists (Giltrap and Partridge), it is clear that most of their embellishments came from the saxophone & flute Cresswell, but also some vibraphone, from the Partridge singer. Decorated with a bizarre bucolic collage, it was published on the British label Columbia, but also received an American edition. In general, all their shorter songs lie in the folk rock empire; but he's never afraid to get into jazz a little bit, rock and receive the lush strings of ala Moody Blues. Yes, TMB is mentioned and it is quite understandable why: Cresswell's flute, Partridge's vocals and many of the band's arrangements are a direct inspiration of the mythical TMB. A few things allow Accolade to have its own sound, among which is vibraphone (when used) or standup bass, especially when bent (as in the epic Ulysses). In short, though somewhat executed, Accolade's debut album still manages his own personality and captivates this old proghead pagan, as he discovered another unearthed gem from the early '70s.\n\nAs far as I know, none of their albums have seen a cd release (neither legible nor boot), and that's a bloody shame because their superb psych-prog folk rock deserves much more sunlight than in its \"obscure leak\" status. 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